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DOORWAY TO Country House OF H. H. ROGERS, ESQ.SOUTHAMPTON, L. I. WALKER & GILLETTE, ARCHITECTS.
FEW among current creations of American architecture will excite more curiosity than this newest work of Walker and Gillette, the home of Mr. H. H. Rogers, at Southampton, Long Island. This deserves our discover, as a result of not solely is it a perfectly wrought design of unusual merit in itself, but it brings to the front certain fundamental principles of mass and coloration at the basis of the best art. How is it that architects often enable themselves to be so absorbed in the technique of form that they grow indifferent to the needs of coloration and of mass In this respect, Messrs. Walker and Gillette have been of great service, in repeating the warning that approach is a method, not an end – moreover, which they have emphasized in such definite phrases of three dimensions that, unlike mere stone island jumper cruise words, it cannot be very effectively ignored.

Southampton, an old American town, with nearly three centuries of history, lies alongside in direction of the jap end of the island, a couple of mile from the sea, the place the country is flat and quite sandy. The landscape of the district is certainly one of dark wind-swept heaths and white dunes along the ocean, altering inland to a neighborhood of stage farms. As a result of of those sights and its smooth sea-local weather, which permits outside life by way of the higher a part of the yr, Southampton has grow to be properly-referred to as a spot of nation residences.

Only some of those homes entrance straight on the ocean, and one in all them is the Rogers home. What a uncommon image it introduced after i noticed it final autumn within the smooth October sunshine! ***John Taylor Boyd Jr. – 1916*** Perched astride the dune, its roofs of a mellow deep claret purple and partitions of wealthy ochre grey, noticed with blue grey shutters, it stood out boldly towards the blue sky. Alongside the crest of the dune the darkish inexperienced seaside grass tossed within the wind above the white sands, the place the blue waves broke into glittering mist scarcely fifty yards away from the home. The entire scene, home, gardens and sunlight, appeared nearly Italian, and the incessant wind reminded me of the gale within the oak timber of the Villa Farnese on the mountain prime above Caprarola.

It was by thus braving the uncovered state of affairs that the proprietor attained a personality and impact hardly to be acquired within the extra placid neighborhood of Southampton village. I’ve mentioned that the dunes kind a rampart astride which is the home. This inserting of the dwelling brings the first flooring on a degree with the top of the sloping seaside, and permits the basement ground to be above floor on the north, on the backyard stage. Via this association, the kitchen, laundry, and so forth.of the service wing, situated within the basement, acquire loads of cheerful gentle and air.

Home AND FLOWER-Backyard – Nation Home OF H. H. ROGERS, ESQ.SOUTHAMPTON, L. I. Walker & Gillette, Architects.

To guard the planting from the by no means ceasing winds, excessive stucco terra cotta walls surround the gardens and traverse them at intervals, sub-dividing them right into a collection of courts. Around the skin partitions, a display of tree plenty will nonetheless additional shelter the shrubs and flowers, moreover furnishing them with a background. One is struck with the unusual distinction of those excessive stucco walls, and wonders why they aren’t used oftener, for apart from providing a background, the shadows of the foliage play on the wall surfaces with a positive sparkle of mild and shade within the sensible illumination of our summer time solar. Such frequent use of partitions provides a way of consolation and safety, for by way of them the gardens purchase an intimate, cozy, sequestered air the charm of old cloisters, of outdated religious enclosures. Yet there is nothing imitative about all this, since the protecting partitions are a necessity of the wind-pushed site.

The place offers an entire sequence of photos, one after the opposite. It introduced joy to the photographer, who may neglect the injunction to “show the architecture clearly” and turn himself free in his picture-making. The house is a succession of mixtures in plenty, shapes, colours and textures, with however little regard for architectural equipment. In reality, right here is the chief secret of Messrs. Walker and Gillette’s success in the Rogers house. The architect could effectively be thankful when painters or photographers find in his achievements alternatives for the brush or the digicam, for these artists is not going to be deceived by any correctness of architectural approach, or by elaboration of design; moderately will they seek to eradicate or to suppress all details and goal for whatever basic design could also be found within the architect’s work. This is without doubt one of the chief requirements in structure at this time to take care of the painter’s standpoint, the painter’s sense of the dramatic.

The free therapy of Mr. Rogers’ home characterizes the plan as properly. The scheme is symmetrical, however not obtrusively so, and the structure shouldn’t be compelled upon the beholder. As you progress by means of the home from the primary entrance, you might be conscious of axes, however not of balanced symmetry.

SOUTHWEST Nook OF Home SEEN FROM Prime OF THE DUNES – Nation Home OF H. H. ROGERS, ESQ.SOUTHAMPTON, L. I. Walker & Gillette, Architects.

Moreover, essentially the most symmetrical entrance of the home, the ocean entrance, is the one least seen. What impresses one is the daring therapy of symmetrical steadiness, the massive putting contrasts ; massive openings and small ones, broad wall surfaces of wonderful texture relieved by bits of decoration within the form of sculptured ornament, iron grilles, furnishings and hangings, emphasizing and enriching the design, stopping baldness. This daring, trustworthy therapy in mass and shade, this expert sense of type and refinement, this discard of typical formulae and of ostentation, this informality the great sense and sentiment and gaiety of all of it should not these the qualities most treasured to Individuals Such an impact of simplicity and informality with a dramatic impact might we’ve got something higher in structure

SOUTH ELEVATION ON OCEAN – Country House OF H. H. ROGERS, ESQ.SOUTHAMPTON, L. I. WALKER & GILLETTE, ARCHITECTS.

NORTH ELEVATION ON GARDENS – Nation Home OF H. H. ROGERS, ESQ.SOUTHAMPTON, L. I. WALKER & GILLETTE, ARCHITECTS.

The quite a few drawings reproduced in these pages illustrate admirably the rules of design outlined above. It will likely be seen that they signify little more than plain walls and door and window openings. In this regard they may remind the readers of The Architectural Document of the easy drawings of McKim, Mead and White for the Harvard Membership plunge revealed within the November problem. To a sure sort of consumer, who loves display, they can be extremely disappointing, and on paper they might make however a sorry displaying in opposition to a extra standard design of pilasters, cornices and Ornament, elaborately drawn and tricked out. However as executed, as constructed, how infinitely superior they’re! They show the extra ostentatious effects to be however idle glitter, mere cleaning soap-bubbles of structure!

‘Tis the outdated, outdated conflict between paper architecture and actual structure, a battle which harasses each architect and consumer. Luckily, the extra discerning a part of the general public at the moment is keen to just accept a simple drawing from an architect, and to face by him loyally in carrying it out in development.

After all, Walker and Gillette haven’t deserted tradition within the Rogers home. It offers reminiscences of very early Renaissance Italy, with many medieval touches and some high Renaissance ones. Its distinction of plain wall surfaces with sparkling bits of detail, its virility and dramatic results are distinctly Spanish. But when this home have been aspect by facet with any villa in Italy, it will reveal extra variations than appear at first look its American qualities can be introduced out. For one factor, there are the extra generous window openings, the lower story heights of the Rogers house, in addition to its higher air of consolation and hospitality, its ambiance of an American house. Certainly, why might not Americans seek inspiration in the Middle Ages Just as the Renaissance Italians turned to classic antiquity, so do moderns discover in themselves a real sympathy for the picturesqueness and the romance of medieval occasions.

How constantly the Rogers home embodies these rules! With the cooperation of architect and shopper, bits of sculpture, fragments of decoration and coloration, columns, fireplaces, and many others.have been carefully selected and given a right place within the design. That is as true of the lengthy expanse of backyard partitions as of the home itself. The gardens teem with odd bits of curiosity, likewise all of the inside decorations furniture, hangings, art objects have been chosen and built into the scheme of architecture to develop into an integral a part of it, simply sufficient to finish every room and nothing extra. The result’s a extremely spectacular assortment of artwork objects. One is reminded somewhat of Mrs. John L. Gardiner’s Fenway house, in Boston, and in addition of the Davanzati palace in Florence, the opening of which to the public brought on such a stir a number of years in the past.

Home, Partitions AND STABLES-VIEW Offered IN APPROACHING THE Nation PLACE OF H. H. ROGERS, ESQ.SOUTHAMPTON, L. I. Walker & Gillette, Architects.

Allow us to consider the main points. Approaching the home, the primary impression is of the lengthy west wall and the stable at one finish, and the home at the opposite – a view of the entire property.

Predominant ENTRANCE ON THE WEST – Nation Home OF H. H. ROGERS, ESQ.SOUTHAMPTON, L. I WALKER & GILLETTE, ARCHITECTS.

WEST (ENTRANCE) ELEVATION, Evaluate PHOTOGRAPH ***ABOVE*** – Nation Home OF H. H. ROGERS, ESQ.SOUTHAMPTON, L. I. Walker & Gillette, Architects.

As we flip into the entrance courtroom on the south, we discover an extended pool with white marble curb within the foreground, past it the superb entrance doorway. This doorway is the primary function in an unsymmetrical elevation. The door itself is a heavy paneled, medieval-wanting factor, as are all of the doorways in the primary story of the home.

Inside OF ENTRANCE Corridor – Nation Home OF H. H. ROGERS, ESQ.SOUTHAMPTON, L. I. WALKER & GILLETTE, ARCHITECTS.

Coming into from the courtroom, we discover ourselves in a decrease corridor paved with tile, with partitions of tinted plaster, somewhat the coloration of sandstone and spanned with an undercoated groin-vaulted ceiling. Off this entrance hall open two dressing suites for visitors, finished in tints of light outdated rose.

ENTRANCE Hall AND STAIRS – Nation Home OF H. H. ROGERS, ESQ.SOUTHAMPTON, L. I. WALKER & GILLETTE, ARCHITECTS.

Unusual certainly is the primary stairway of brick treads and risers, topped with an extremely simple iron rail.

DEN – Country House OF H. H. ROGERS, ESQ.SOUTHAMPTON, L. I. WALKER & GILLETTE, ARCHITECTS.
At the head of the steps in the primary floors a lovely little den, decorated with an oak beamed ceiling, bookcases at one finish, and a small fireplace of tall, whimsical design at the other. Here is a noteworthy feature of this little room: it has not a bit of trim in it. The flooring is laid with small hexagonal crimson tiles, with a tile base at the walls some 6 inches high, and above this base is a band of yellowish gray about 20 inches high. As a substitute of using wooden architraves, the panelbacks of the doors and windows are splayed back in the thickness of the walls, and painted gray with a gray edging around the opening. All the rest of the walls, except this grey base and the gray strip across the doors and windows, are a deep wealthy blue. In reality blue, of one shade or another, is the coloration one notices most in the house, which has indeed an amazing variety of colour. The dimensions of this room are 21 ft by 14 ft 8 inches, with clear ceiling peak of 14 feet 4 inches.

RECEPTION ROOM – Country House OF H. H. ROGERS, ESQ. SOUTHAMPTON, L. I. Walker & Gillette, Architects.

ELEVATION OF RECEPTION ROOM – Country House OF H. H. ROGERS, ESQ.SOUTHAMPTON, L. I. WALKER & GILLETTE, ARCHITECTS.

Also at the pinnacle of the steps do we find the big reception room, the windows of which look south on the sea and north over the main axis of the garden. There is a long oak table down the centre of the room, and at the opposite end a large outdated stone hooded fireplace, brought from Italy. The flooring is of oak.

Detail OF RECEPTION ROOM CEILING – Nation Home OF H. Stone Island News H. ROGERS, ESQ.SOUTHAMPTON, L. I. WALKER & GILLETTE, ARCHITECTS.

Unusually effective, the ceiling of this drawing room is paneled in squares, three across the room and five the length of it, of oak and plaster, very darkish, picked out in deep colours. The hangings and furniture coverings are of a mushy clear blue of medium worth, with faint gold threads running by the material. The walls are plaster tinted somewhat the color of sandstone.

DINING ROOM Showing FIREPLACE IN DRAWING ***Under*** – Nation Home OF H. H. ROGERS, ESQ.SOUTHAMPTON, L. I WALKER & GILLETTE, ARCHITECTS.

EAST ELEVATION OF DINING ROOM – Nation Home OF H. H. ROGERS, ESQ.SOUTHAMPTON, L. I. Walker & Gillette, Architects.

The dining room has a lot the same remedy because the reception room plaster walls, oak ceilings, marble fireplace and oak floors. The dimensions of the reception room are forty four ft four inches by 29 toes three inches, with clear peak of 14 toes 2 inches – of the dining room, 29 toes four inches by 24 ft, peak 14 ft. These are the principal rooms and nicely do they typify the spirit of the entire design. In them the architecture is subdued to make a background for the furniture and hangings with none competitors between the 2. It’s a precept that’s coming increasingly into trendy artwork, although it’s as outdated as anything we all know. What a sense of relaxation these rooms give us! What harmony of coloration and of kind! No spottiness, no ostentation, no surfeit anyplace.

As a part of the principle flooring structure are the 2 loggias, opening off the principle rooms south and north, that are extra conventional than a lot of the Rogers home.

FOUNTAIN In the LOGGIA WHICH CLOSES THE CROSS-AXIS OF THE GARDENS ON THE WEST – Nation Home OF H. H. ROGERS, ESQ.SOUTHAMPTON, L. I. WALKER & GILLETTE, ARCHITECTS.

The south loggia overlooking the sea has a pink tile ground and elliptical vaulted ceiling with penetrations, painted a gentle clear blue. This blue area is relieved by the narrowest of white vault ribs and medallions displaying the signs of the Zodiac.

NORTH LOGGIA OVERLOOKING Garden – Nation Home OF H. H. ROGERS, ESQ.SOUTHAMPTON, L. I. WALKER & GILLETTE, ARCHITECTS.

Delightful certainly is the north loggia, overlooking the backyard, to the left of the principle axis, the walls of which are covered with some exceptional frescoes.

***Stairs to bedroom floor***
Floor PLANS – Country House OF H. H. ROGERS, ESQ.SOUTHAMPTON, L. I. WALKER & GILLETTE, ARCHITECTS.

Within the bedroom ground it isn’t shocking to discover a slight change of character. Heavy oak tables and chairs can be something of a nuisance in bedrooms, and there may be offered as a substitute simple, graceful fashionable furniture, painted within the lightest of tones. The rooms themselves present a surprisingly easy, uniform therapy; delicate trims, a slight “image” mould, painted blue from which footage do not dangle and a 6 inch cove above the picture mould at the ceiling, of which the clear peak is 9 feet. The usual mantelpiece treatment is missing; as a substitute the small fireplaces are merely openings within the face of the plaster wall, edged with vitrified figured tile, and built with a raised cement hearth and a bit shelf supported on four brackets above the opening. The door and window trims are detailed with a flat band, which is tinted a rich blue or else decorated in a flower pattern, to harmonize with the painted furniture. All the remainder of the trim is a powerful gray and the plaster walls are painted in extremely gentle tones. Altogether, it can be inconceivable to exaggerate the good taste of these bedrooms.

In such a design of large aircraft surfaces, careful remedy of texture is completely a necessity. The tile, ironwork and woodwork of the house and gardens are all chosen to this end. Inside, the plaster walls have a texture somewhat resembling that of painted burlap or the very roughest water coloration paper. As for the skin, to equal the tile roofs, one must go to Segovia or Salamanca in Northern Spain, the place perhaps the finest roof tiles on the earth are discovered; and it is attention-grabbing to learn that the architects have even gone so far as to soften the lines of the roof by making them slightly uneven, as if they had change into wavy by means of age. The images give some concept of the effective end of the stucco walls, and, as an additional example of this careful attention to detail, the ironwork has been hand wrought by Belgian workmen.

Garden ELEVATION ON NORTH – Country House OF H. H. ROGERS, ESQ.SOUTHAMPTON, L. I. WALKER & GILLETTE, ARCHITECTS.

Element OF TERRACE ON Major AXIS OF Garden – Nation Home OF H. H. stone island jumper cruise ROGERS, ESQ.SOUTH AMPTON, L. I. WALKER & GILLETTE, ARCHITECTS.

A slight notice of the gardens completes the description of the Rogers house. The design was supervised by the architects, and the planting is the work of Mr. Gallagher of the Olmstead Brothers’ agency of panorama architects, of Brookline, Mass. I’ve talked about the scenario on degree floor to the north of the home, and the big stucco walls that surround and intersect the planting. There are really three long parallel axes that lead down from the house, divided by these high enclosures.

VISTA Alongside Major AXIS OF GARDENS Displaying POOL AT CROSS AXIS – Country House OF H. H. ROGERS, ESQ.SOUTHAMPTON, L. I. Walker & Gillette, Architects.

Figure IN POOL At the CROSSING OF THE Garden AXIS – Country Home OF H. H. ROGERS, ESQ.SOUTHAMPTON, L. I. WALKER & GILLETTE, ARCHITECTS.

The primary axis, on the reception room of the house, exhibits an expanse of greensward, with a big pool within the centre of the closest court docket, marking the cross-axis.

Backyard Element – Nation Home OF H. H. ROGERS, ESQ.SOUTHAMPTON, L. I. Walker & Gillette, Architects.

The west parallel axis runs from a gate within the entrance court docket, and follows by a collection of delightful flower gardens of intricate geometrical paths, in delicate scale, where a large number of dainty, reed-like Gothic columns about 6 toes excessive are outlined admirably in opposition to the foliage and flowers.

PLAYHOUSE IN Youngsters’S Backyard, CLOSES EAST Finish OF CROSS AXIS – Nation House OF H. H. ROGERS, ESQ.SOUTH AMPTON, L. I. WALKER & GILLETTE, ARCHITECTS.

In contrast to the other two long vistas, the third parallel axis, opposite the service wing, is lower up into three cozy little sq. enclosures past the service courtroom from which they’re separated. First is slightly grass courtroom known as the croquet garden; next, at the cross-axis, an exquisite garden of roses and cedars; and further on, a kids’s garden with a quaint playhouse in it.

Formal Stone Island Sale Suit For Men Dark BlueAll this work, home and gardens, is conceived in the spirit of true architecture. The practical needs are completely fulfilled, and are expressed in terms of mass, shapes, colors, and textures, in essentially the most excellent manner. Happily the day of structure copied from books and “examples” is passing, and we are glad to hail a work so free, so sure, and so splendidly dramatic. There is nothing so difficult as to be dramatic, without ever being theatrical.

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